I am not one of those people who can multi-task well. Perhaps the whole idea of multi-tasking ends up meaning that a person does a lot of things in a passable way, as opposed to doing them really well. I want to do things really well. As a result, I sometimes don’t get much done. I don’t start because I know (or think) I don’t have the time to finish.
For eight years, I have been working on a project about An Gorta Mór, the Irish Great Hunger. Books take a long time. From the start, I knew that I wanted to write a creative manuscript and not an academic one. That was partly because I had just finished a major academic project in Pierce: Six Prairie Lives. But it was also because I am more poet than scholar and because I knew that my specific focus couldn’t be written any other way. An academic undertaking has to end up with things that can be known, and I was going to write about specific people whose lives could not be known.
It takes just as much research to create what cannot be known. At least, it does if there’s to be any credibility. So, for years, I have read. My shelves have books about Irish plants, tools, history, myth. I’ve read about how to cut and dry turf, how to keep evil out of a cow’s milk, how to prepare for childbirth, when to plant potatoes and how to dig and fertilize the beds. I have visited the National Archives in Dublin, the Museum of Country Life in Turlough Park, the National Famine Museum in Strokestown–several times each. I have peered at microfilm in the National Library in Dublin, perused the 1749 Census of Elphin, the 1825 Tithe Applotment Books, Lewis’ Topographical Dictionary of Ireland (1837), Weld’s Statistical Survey of the County of Roscommon (1832), Shaw Mason’s Parochial Survey of Ireland ( 1814), The Destitution Survey (1847) and pored over maps, field books, and aerial photographs. I have compiled lists of birds, fish, and mammals native to Roscommon, and included what they eat, how they sound, what season they’re found, what terrain they like.
Every year since 2004, I have spent weeks in Ireland, and since 2007, a lot of those weeks have been spent in Fuerty Parish. I have stood on the land my people worked, stood on the bog where they cut turf, stood in the church where they worshipped, stood in the graveyard where they’re buried. I have walked and walked the roads. And I have started to write. Almost from the start, I knew what the first line would be, and that is always a vital sign for me. When the first line comes, I feel confidence.
Here I am, after eight years, in sight of the finish. Never one to do things the easy way, and always one to let the work tell me where it wants to go, I am writing a book length poem, of seven syllable lines, lyric and narrative, salted with the Irish language, weaving history, myth, and culture. I know that I will polish once I get all the way from 1834 to 1849, but a full and nearly finished draft will be done by mid-February. I’m committed to that. I’m channelling my energy, designating January as Hungry Grass month. I’ve set an average daily line quota. I need a talisman against distractions.